Judson Jay Scott

January 2017

The Music Lesson


The Music Lesson by Victor Wooten sat on my books-to-read shelf for a number of years, in part because I was not confident that a jazz bass player had much to teach me, a classical trumpeter. Turns out he has quite a lot to teach me and I have been kicking myself for not reading the book and implementing its lessons sooner. Hopefully the excerpts below will convince you to start reading today.

From The Music Lesson:

I play Music, not instruments. . .you are just a bass player. That means you play bass guitar. A true musician. . .plays Music and uses particular instruments as tools to do so. I know that Music is inside me not inside the instrument. This understanding allows me to use any instrument, or no instrument at all, to play my Music.

A true writer can write using a typewriter, a pen, a pencil or anything else that he chooses. You wouldn’t call him a pencil writer would you? Your understanding that the writing utensil is just a tool allows you to see past it and into the truth of what he is--a writer. The story is in the writer, is it not? Or is it in the pencil? Your problem is this: you have been trying to tell your story with a bass guitar instead of through it.
Page 19

You should find the groove before you start playing. It doesn’t matter whether you know the song or not. If you need to, let a few measures go by while you figure out what the groove is saying. Once you find the groove, it doesn’t matter what note comes out; it will ‘feel’ right to the listener. People generally feel Music before they listen to it anyway. Page 31

Never loose the groove in order to find a note. Page 33

If you listen closely, you can find a whole world living inside each note. Notes are alive, and like you and me, they need to breathe. Page 59

Beauty is something you experience, not something you prove. Can you tell me what beauty is, or can you only give me your perspective on it? Can science define beauty? Can you see or touch it, or can you just see and touch something that possesses its quality? Beauty is invisible, individual, and intangible. Interesting isn’t it? It is something you know, yet technically, it is not there. How can this be? Like Music, it lives inside you, and you impress its qualities on whatever you choose. Page 73

Your technique should be at such a high level that you can forget about it. Eventually you will even forget about your bass. Only then can you remember how to play Music. Think about talking. When you talk, the words are your notes. Your tongue, diaphragm, mouth, teeth, lips and so on are you instruments. How you use them to push air across your vocal cords and through your lips to form works is your technique, but you rarely think about that. When you were a baby your technique was not adequate enough to allow you to speak like everyone else. You would babble on and on trying to work it our and be understood. Not having the proper control of your instrument caused you to cry. After many months you finally developed the control allowing you to say the things you wanted to say. That made you happy. The feeling of joy encouraged you to learn more. Page 78-79

I have been warming up my whole Life for this gig. . . All the previous gigs were just rehearsals for tonight. It all leads to now. Page 133

Music is played from the mind, not the body. So do whatever you can to exercise your mind. Page 158

There is only one reason that you ever fail at anything, and that is because you eventually change your mind. Anything and everything you have ever decided to do, you have succeeded, or will succeed, at doing. It may take you a day, a year, or twelve lifetimes, but if you hold your mind affixed on the idea, it will come forth. Page 183-184

Your life is made up of a string of many different phrases. Most of these phrases were put together unconsciously. Now that you realize you only have a matter of days on this planet, it may be wise for you to start living consciously. The choice is always yours. Page 184-185

Most people work with their minds, when playing with them can be so much more effective. Page 233

All experiences as well as all Music are ordinary. It is up to you to add the ‘extra’ quality that makes something ‘extraordinary.’ But like most humans, you risk missing much of the present by putting part of yourself in future or past experiences. Page 242

My new found listening skill was one most other musicians neglected. It wasn’t that they couldn’t listen as well as I could; they just didn’t. I noticed that most musicians seemed to reserve their ears for themselves rather than open up their ears to the rest of the band. I found that when I listened to the other musicians more than I listened to myself, I played better. I realize that listening is a choice. The same is true in conversation. When I listen to other people more that to myself, I know how to respond and support them in a a better way. It also helps me know when to remain quiet. Page 244-245

The MusicLesson

I like to mark passages with important concepts so that I can refer to them quickly. I have never before marked so many passages in one book.

Best valve oil ever?

I am just not really into the equipment side of being a trumpeter--I still play the Bach Bb that James Darling picked out for me at Giardinelli’s in 1980--rather it is the music that I find attractive. Imagine my surprise when I find myself excited about valve oil!

A very thin oil such as Al Cass just doesn’t work with the older, somewhat worn valves that I play. I have tried others such as Hetmann, Ultra Pure, Selmer, and Yamaha, with some success, but I was simply never completely satisfied. That all changed when Jeff Snyder from the Monette shop suggested that I try Tech-Oil. Jeff made some claims about the oil and I said to myself, “Yeah, whatever, how good can oil be?” Well, Tech-Oil is all that Jeff claimed and more! My valves have, perhaps, been faster, but never this smooth or reliable. Honestly, I oil my valves maybe once a month and Tech-Oil works like a dream on all of my horns: old or new, piston or rotary.

Using Tech-Oil is a simple, three step process:

1 Clean your valves--perhaps simply wipe them off with a leather chamois.
2 Oil your valves.
3 Forget about them for about a month.

Tech Oil was created by David Braun. According to David’s website, the feature I find so compelling is lubricity, “Tech-Oil forms a film between the piston and the valve casing. The highly cohesive film resists sideways forces that otherwise cause metal contact and "sticking". Customers have noticed that Tech-Oil often solves sticky valve problems and saves trips to the repair shop.” The key to valve oil endurance is volatility, “This measures the tendency of liquids to evaporate. Many valve oils dry out too fast, requiring frequent application. Tech-Oil stays in the valves by having a low rate of evaporation, allowing use even in hot weather.”

Dave is a somewhat curmudgeonly old coot who has retired and passed the distribution of Tech-Oil on to Steve France at themusic-store.com. Dave charged $12.00/bottle as does Steve, however, Steve offers serious discounts for bulk purchases, hence my lifetime supply pictured above.